Product Photography & Ecommerce Content Production in Liverpool

Clean, evenly lit packshots on a pure white background – the standard for ecommerce listings, marketplace requirements and comparison pages. Products are shot tethered so composition, exposure and colour are checked full-size as we go, and every item in a range is shot to the same angle, height and scale so your collection page looks like one coherent set rather than twenty separate uploads. Clipping paths and transparent PNG versions are available where you need the product to sit on a coloured section of your site.

Products photographed in context – held, worn, used, styled on a surface or placed in a real setting. Lifestyle imagery answers the questions a packshot cannot: how big is it, who is it for, what does it look like in a real kitchen, bathroom or on a real person. These are the images that carry your social feed, your homepage banners and your paid ads, and they are the reason two brands selling an identical product can command very different prices.

Overhead compositions built from your product, its packaging and supporting props – ingredients, fabrics, tools, seasonal styling. Flat lays are efficient: one carefully built set can produce a square listing image, a 4:5 Instagram crop and a 9:16 Reel frame in a single setup. They work particularly well for gifting ranges, beauty collections, food products and anything sold as a set.

Also called invisible mannequin or hollow man. Garments are shot on a mannequin and composited so the clothing keeps its three-dimensional shape while the mannequin disappears – giving you a clean, consistent, model-free product image with the inner neck and lining visible. It is faster and far cheaper than booking models for a full range, and it is the reason most established clothing stores have that uniform, catalogue-quality look across every listing.

For a lot of brands the packaging is the product. We shoot boxes, bottles, tubes, labels, sleeves and gift presentation with the lighting control needed to keep foils, embossing, gloss and metallics readable rather than blown out. Essential for launches, wholesale line sheets, press kits and unboxing content.

Concept-led product imagery for a launch, a seasonal push or a rebrand – colour backdrops, hard light and shadow play, water and ice, levitation, textured surfaces, set builds. This is where a range stops looking like a catalogue and starts looking like a brand, and it is usually the work that earns the reshare rather than the scroll.

Packaged food, drinks, confectionery and hospitality menus. Food is unforgiving: it changes on set within minutes, and the difference between appetising and unappetising is almost entirely lighting and timing. We shoot fresh dishes on-site at restaurants and cafes, and packaged food and drink products in the studio where we can control reflections in glass, cans and cellophane.

Glass droppers, acrylic, pumps, compacts and foil-stamped labels are among the hardest surfaces to light well, because every one of them reflects the room back at the camera. Beauty and skincare shoots need controlled reflections, precise colour on shade ranges, and swatch or texture shots to sit alongside the packshot. We shoot both the clean listing images and the styled bathroom-shelf lifestyle sets that beauty brands live on socially.

The most technically demanding product category there is. Small, highly reflective, and judged entirely on sparkle, finish and detail. Jewellery shoots use macro work, focus stacking for front-to-back sharpness, and careful control of specular highlights so gold reads as gold and silver does not go grey. Delivered as clean white-background listing shots plus detail and on-model or on-bust images for social.

Flat lay, ghost mannequin or on-model, depending on your budget and where the images need to work. For apparel, consistency across a range and accurate fabric colour matter more than anything else, because those two things drive your return rate. We shoot to a fixed framing and colour reference so a size guide, a colourway grid and a collection page all hold together.

Gift sets, hampers, candles, ceramics and premium boxed ranges – where ribbon, texture, foil and presentation are the selling point. These ranges usually need three things: a clean listing shot, an open or in-use shot showing what is inside, and a seasonal styled set for Christmas, Mother’s Day, Valentine’s and wedding season. We plan them together so the whole year is covered from one or two shoot days.

Shopify stores live or die on the collection page, where twenty products are seen side by side. That means a fixed camera height, a fixed product size within the frame and identical colour across the whole range – plus a second and third angle, a detail shot and a lifestyle image for each listing. We shoot ranges as a system, not as individual products, and deliver square masters with transparent PNG versions where your theme needs them.

The main image has to be a true white background, with the product occupying roughly 85% of the frame and no props, packaging text overlays or logos. We supply that compliant hero shot, then the supporting gallery images Amazon actually converts on – scale references, detail crops, in-use lifestyle shots and infographic-ready plates your designer can add callouts to.

Etsy buyers are shopping for something that feels handmade and considered, so pure clinical packshots often underperform styled, textured, natural-light-feeling images. The trap is the thumbnail crop, which cuts the first image down and loses anything composed too loosely. We shoot Etsy ranges with the crop planned in and give you a full set: hero, scale, detail, packaging and a styled gifting shot.

A premium boxed chocolate range with ribbon, foil and printed sleeve detail across multiple colourways and box formats. The brief needed two things at once: clean, consistent white-background images so every box in the range sits identically on a listing page, and warmer styled sets showing the boxes open, filled and presented for gifting. We shot the full range to a fixed framing so the collection reads as one family, then built styled flat lays and pedestal sets for seasonal and social use, plus open-box shots that answer the question every gift buyer asks – what does it actually look like inside.

On-location hospitality shoot covering plated dishes, shared table settings and the dining room itself. Food was shot to order and photographed within minutes of leaving the kitchen, because tandoori char, fresh herbs and steam all have a very short window before they stop looking appetising. Deliverables covered menu and website imagery, square and vertical crops for social, and interior shots for listings and Google Business Profile – shot around service so the kitchen kept running.

Two beauty-sector brands with the same core challenge: small, reflective, precisely branded packaging that has to look premium at thumbnail size. Both ranges were shot in-studio on clean backgrounds for listing use, with tight detail crops for texture and branding, and styled sets for Instagram. Careful control of reflections and highlight placement keeps acrylic, gloss and printed labels legible rather than washed out – the detail that separates a beauty product that looks clinical from one that looks cheap.

For on-location work we cover Liverpool and the wider Merseyside area including the Wirral, Birkenhead, Bootle, Crosby, Formby, Southport, St Helens, Huyton, Prescot, Widnes and Runcorn, and travel across the North West to Warrington, Chester, Wigan, Preston and Manchester.

Every shoot is quoted individually rather than sold from a fixed price list, because the number of products, the style and the amount of styling involved change the day completely. A straightforward white-background shoot of a dozen similar items is a very different job to four styled lifestyle sets. Send a product list and a note on where the images will be used and you will get an itemised quote back.

It depends entirely on the type of shot. Once a white-background set is lit, similar products can be shot at volume in a single day. Styled lifestyle sets, food and jewellery are much slower because each shot is built individually. We will confirm a realistic number for your specific products before you book, rather than promising a figure we cannot hit.

Not necessarily. You can drop products at the Liverpool studio, courier them ahead of the shoot, or bring them on the day and art-direct with us. For larger ranges it usually helps to have everything with us in advance so we can plan the set order and shoot efficiently.

Yes. Amazon requires the main listing image to be on a pure white background (RGB 255,255,255) with the product filling roughly 85% of the frame and no props, logos or added text. We shoot and export compliant hero images, plus the supporting gallery shots – detail, scale and lifestyle – that do the actual converting further down the listing.

Yes. We shoot both packaged food and drink in the studio and fresh, plated dishes on-site at restaurants, cafes and bars across Liverpool. Fresh food is shot immediately after it leaves the kitchen and we work around service hours so it does not disrupt a shift.

Yes. Garments are shot on a mannequin and composited so the clothing holds its shape while the mannequin is removed, giving a clean, consistent, model-free image with the inner neck visible. It is the most cost-effective way to photograph a full apparel range consistently.

High-resolution JPEGs in sRGB, web-optimised versions ready to upload, transparent PNGs where you need cut-outs, and platform crops at 1:1, 4:5 and 9:16. Files are named by product or SKU rather than camera numbers so bulk uploading to your store is straightforward.

Yes, and it is almost always the cheaper way to do it. The set is already built and lit, so capturing vertical product clips, turntable spins or stop-motion alongside the stills adds far less cost than booking a separate video shoot later.

Yes. Ongoing content is how most of our product clients work – a recurring shoot on a set schedule with an agreed number of stills and clips each month, planned around launches and your marketing calendar. One-off launch shoots and single content days are equally welcome.

Yes. We regularly shoot across Merseyside and the North West, including the Wirral, Southport, St Helens, Warrington, Chester and Manchester, and we take on national work where the project justifies the travel.